{"id":203,"date":"2024-01-22T12:20:55","date_gmt":"2024-01-22T12:20:55","guid":{"rendered":"https:\/\/fcjk.me\/?page_id=203"},"modified":"2024-04-11T11:56:38","modified_gmt":"2024-04-11T11:56:38","slug":"o-jeziku","status":"publish","type":"page","link":"https:\/\/fcjk.me\/en\/o-jeziku\/","title":{"rendered":"About language"},"content":{"rendered":"<div class=\"fcjk-padding-small\"><\/div>\r\n\n\n<section class=\"fcjk-title\">\r\n    <div class=\"main-wrapper\">\r\n            <h2 class=\"text-align-left\">\r\n                            <span class=\"color-red\">Montenegrin <\/span>\r\n                language        <\/h2>\r\n         \r\n                    <p class=\"text-align-left\">The Montenegrin language is an integral part of the \u0160tokavian language system. It is the official language in Montenegro (since 2007), and is also spoken by Montenegrins living abroad, especially those in Peroj (Republic of Croatia), Skadar, and neighbouring Vraka (Albania).<\/p>\r\n        \r\n    <\/div>\r\n    <!-- \/.main-wrapper -->\r\n<\/section>\r\n<!-- \/.fcjk-title -->\n\n    <div class=\"fcjk-padding-medium\"><\/div>\r\n\n\n<section class=\"fcjk-title\">\r\n    <div class=\"main-wrapper\">\r\n            <h2 class=\"text-align-left\">\r\n                            <span class=\"color-red\">Historical <\/span>\r\n                development        <\/h2>\r\n         \r\n                    <p class=\"text-align-left\">The historical development of the Montenegrin language can be divided into six periods:<\/p>\r\n        \r\n    <\/div>\r\n    <!-- \/.main-wrapper -->\r\n<\/section>\r\n<!-- \/.fcjk-title -->\n\n    <div class=\"fcjk-padding-small\"><\/div>\r\n\n\n<div class=\"fcjk-timeline\">\r\n    <div class=\"main-wrapper\">\r\n        <div class=\"fcjk-timeline-wrapper mobile\">\r\n            \r\n                <div class=\"fcjk-timeline-wrapper-row\">\r\n                                                                        <div class=\"fcjk-timeline-wrapper-row-col\">\r\n                            <div class=\"icon\">\r\n                                    <img decoding=\"async\" src=\"https:\/\/fcjk.me\/wp-content\/themes\/fcjk\/images\/icons\/timeline-red.svg\" alt=\"\">\r\n                                <\/div>\r\n                                <div class=\"content\">\r\n                                    <span class=\"title color-red text-bold\">Doclea\u2019s Period<\/span>\r\n                                    <span>(from the mid IX century to eighties of the XII century)<\/span>\r\n                                <\/div>\r\n                                <!-- \/.content -->\r\n                            <\/div>\r\n                            <!-- \/.fcjk-timeline-wrapper-row-col -->\r\n                                                                                                        <div class=\"fcjk-timeline-wrapper-row-col\">\r\n                                <div class=\"icon\">\r\n                                    <img decoding=\"async\" src=\"https:\/\/fcjk.me\/wp-content\/themes\/fcjk\/images\/icons\/timeline.svg\" alt=\"\">\r\n                                <\/div>\r\n                                <div class=\"content\">\r\n                                    <span class=\"title color-red text-bold\">Zeta\u2019s Period<\/span>\r\n                                    <span>(from the eighties of the XII century to the end of XV century)<\/span>\r\n                                <\/div>\r\n                                <!-- \/.content -->\r\n                            <\/div>\r\n                            <!-- \/.fcjk-timeline-wrapper-row-col -->\r\n                                                                                                <div class=\"fcjk-timeline-wrapper-row-col\">\r\n                            <div class=\"icon\">\r\n                                    <img decoding=\"async\" src=\"https:\/\/fcjk.me\/wp-content\/themes\/fcjk\/images\/icons\/timeline-red.svg\" alt=\"\">\r\n                                <\/div>\r\n                                <div class=\"content\">\r\n                                    <span class=\"title color-red text-bold\">Written Language Period <\/span>\r\n                                    <span>(from the end of XV century to the mid XVIII century)<\/span>\r\n                                <\/div>\r\n                                <!-- \/.content -->\r\n                            <\/div>\r\n                            <!-- \/.fcjk-timeline-wrapper-row-col -->\r\n                                                                                                        <div class=\"fcjk-timeline-wrapper-row-col\">\r\n                                <div class=\"icon\">\r\n                                    <img decoding=\"async\" src=\"https:\/\/fcjk.me\/wp-content\/themes\/fcjk\/images\/icons\/timeline.svg\" alt=\"\">\r\n                                <\/div>\r\n                                <div class=\"content\">\r\n                                    <span class=\"title color-red text-bold\">Uncodified Literary Language Period<\/span>\r\n                                    <span>(from the mid XVIII century to the thirties of the XIX century)<\/span>\r\n                                <\/div>\r\n                                <!-- \/.content -->\r\n                            <\/div>\r\n                            <!-- \/.fcjk-timeline-wrapper-row-col -->\r\n                                                                                                <div class=\"fcjk-timeline-wrapper-row-col\">\r\n                            <div class=\"icon\">\r\n                                    <img decoding=\"async\" src=\"https:\/\/fcjk.me\/wp-content\/themes\/fcjk\/images\/icons\/timeline-red.svg\" alt=\"\">\r\n                                <\/div>\r\n                                <div class=\"content\">\r\n                                    <span class=\"title color-red text-bold\">Transitional Period<\/span>\r\n                                    <span>(from the thirties of the XIX century to the World War I)<\/span>\r\n                                <\/div>\r\n                                <!-- \/.content -->\r\n                            <\/div>\r\n                            <!-- \/.fcjk-timeline-wrapper-row-col -->\r\n                                                                                                        <div class=\"fcjk-timeline-wrapper-row-col\">\r\n                                <div class=\"icon\">\r\n                                    <img decoding=\"async\" src=\"https:\/\/fcjk.me\/wp-content\/themes\/fcjk\/images\/icons\/timeline.svg\" alt=\"\">\r\n                                <\/div>\r\n                                <div class=\"content\">\r\n                                    <span class=\"title color-red text-bold\">Vuk\u2019s Period<\/span>\r\n                                    <span>(from the World War I to present times), which has two stages: Beli\u0107\u2019s (period between the wars) and Modern (from 1944)<\/span>\r\n                                <\/div>\r\n                                <!-- \/.content -->\r\n                            <\/div>\r\n                            <!-- \/.fcjk-timeline-wrapper-row-col -->\r\n                                                            <\/div>\r\n                <!-- \/.fcjk-timeline-wrapper-row -->\r\n            \r\n        <\/div>\r\n        <!-- \/.fcjk-timeline-wrapper .mobile -->\r\n        <div class=\"fcjk-timeline-wrapper desktop\">\r\n            \r\n                <div class=\"fcjk-timeline-wrapper-row\">\r\n                                                                        <div class=\"fcjk-timeline-wrapper-row-col\">\r\n                                <div class=\"content hover-move-up\">\r\n                                    <span class=\"title color-red text-bold\">Doclea\u2019s Period<\/span>\r\n                                    <span>(from the mid IX century to eighties of the XII century)<\/span>\r\n                                <\/div>\r\n                                <!-- \/.content -->\r\n                            <\/div>\r\n                            <!-- \/.fcjk-timeline-wrapper-row-col -->\r\n                                                                                                    <div class=\"empty\"><\/div>\r\n                                                                                                <div class=\"fcjk-timeline-wrapper-row-col\">\r\n                                <div class=\"content hover-move-up\">\r\n                                    <span class=\"title color-red text-bold\">Written Language Period <\/span>\r\n                                    <span>(from the end of XV century to the mid XVIII century)<\/span>\r\n                                <\/div>\r\n                                <!-- \/.content -->\r\n                            <\/div>\r\n                            <!-- \/.fcjk-timeline-wrapper-row-col -->\r\n                                                                                                    <div class=\"empty\"><\/div>\r\n                                                                                                <div class=\"fcjk-timeline-wrapper-row-col\">\r\n                                <div class=\"content hover-move-up\">\r\n                                    <span class=\"title color-red text-bold\">Transitional Period<\/span>\r\n                                    <span>(from the thirties of the XIX century to the World War I)<\/span>\r\n                                <\/div>\r\n                                <!-- \/.content -->\r\n                            <\/div>\r\n                            <!-- \/.fcjk-timeline-wrapper-row-col -->\r\n                                                                                                    <div class=\"empty\"><\/div>\r\n                                                            <\/div>\r\n                <!-- \/.fcjk-timeline-wrapper-row -->\r\n\r\n                <div class=\"fcjk-timeline-wrapper-row\">\r\n                                                                        <div class=\"fcjk-timeline-wrapper-row-col\">\r\n                                <div class=\"icon\">\r\n                                    <img decoding=\"async\" src=\"https:\/\/fcjk.me\/wp-content\/themes\/fcjk\/images\/icons\/timeline-red.svg\" alt=\"\">\r\n                                <\/div>\r\n                                <div class=\"empty\"><\/div>\r\n                            <\/div>\r\n                        <!-- \/.fcjk-timeline-wrapper-row-col -->\r\n                                                                                                        <div class=\"fcjk-timeline-wrapper-row-col\">\r\n                                <div class=\"icon\">\r\n                                    <img decoding=\"async\" src=\"https:\/\/fcjk.me\/wp-content\/themes\/fcjk\/images\/icons\/timeline.svg\" alt=\"\">\r\n                                <\/div>\r\n                                <div class=\"content hover-move-down\">\r\n                                    <span class=\"title color-red text-bold\">Zeta\u2019s Period<\/span>\r\n                                    <span>(from the eighties of the XII century to the end of XV century)<\/span>\r\n                                <\/div>\r\n                                <!-- \/.content -->\r\n                            <\/div>\r\n                            <!-- \/.fcjk-timeline-wrapper-row-col -->\r\n                                                                                                <div class=\"fcjk-timeline-wrapper-row-col\">\r\n                                <div class=\"icon\">\r\n                                    <img decoding=\"async\" src=\"https:\/\/fcjk.me\/wp-content\/themes\/fcjk\/images\/icons\/timeline-red.svg\" alt=\"\">\r\n                                <\/div>\r\n                                <div class=\"empty\"><\/div>\r\n                            <\/div>\r\n                        <!-- \/.fcjk-timeline-wrapper-row-col -->\r\n                                                                                                        <div class=\"fcjk-timeline-wrapper-row-col\">\r\n                                <div class=\"icon\">\r\n                                    <img decoding=\"async\" src=\"https:\/\/fcjk.me\/wp-content\/themes\/fcjk\/images\/icons\/timeline.svg\" alt=\"\">\r\n                                <\/div>\r\n                                <div class=\"content hover-move-down\">\r\n                                    <span class=\"title color-red text-bold\">Uncodified Literary Language Period<\/span>\r\n                                    <span>(from the mid XVIII century to the thirties of the XIX century)<\/span>\r\n                                <\/div>\r\n                                <!-- \/.content -->\r\n                            <\/div>\r\n                            <!-- \/.fcjk-timeline-wrapper-row-col -->\r\n                                                                                                <div class=\"fcjk-timeline-wrapper-row-col\">\r\n                                <div class=\"icon\">\r\n                                    <img decoding=\"async\" src=\"https:\/\/fcjk.me\/wp-content\/themes\/fcjk\/images\/icons\/timeline-red.svg\" alt=\"\">\r\n                                <\/div>\r\n                                <div class=\"empty\"><\/div>\r\n                            <\/div>\r\n                        <!-- \/.fcjk-timeline-wrapper-row-col -->\r\n                                                                                                        <div class=\"fcjk-timeline-wrapper-row-col\">\r\n                                <div class=\"icon\">\r\n                                    <img decoding=\"async\" src=\"https:\/\/fcjk.me\/wp-content\/themes\/fcjk\/images\/icons\/timeline.svg\" alt=\"\">\r\n                                <\/div>\r\n                                <div class=\"content hover-move-down\">\r\n                                    <span class=\"title color-red text-bold\">Vuk\u2019s Period<\/span>\r\n                                    <span>(from the World War I to present times), which has two stages: Beli\u0107\u2019s (period between the wars) and Modern (from 1944)<\/span>\r\n                                <\/div>\r\n                                <!-- \/.content -->\r\n                            <\/div>\r\n                            <!-- \/.fcjk-timeline-wrapper-row-col -->\r\n                                                            <\/div>\r\n                <!-- \/.fcjk-timeline-wrapper-row -->\r\n\r\n            \r\n        <\/div>\r\n        <!-- \/.fcjk-timeline-wrapper .desktop -->\r\n    <\/div>\r\n    <!-- \/.main-wrapper -->\r\n<\/div>\r\n<!-- \/.fcjk-timeline -->\n\n    <div class=\"fcjk-padding-medium\"><\/div>\r\n\n\n<section class=\"clipped-img-right-full  reverse bg-red\">\r\n    <div class=\"main-wrapper\">\r\n        <div class=\"clipped-img-right-full-content\">\r\n                                                    <div class=\"text-wrapper text-overflow-hide\">\r\n                    <p class=\"color-white\">The beginnings of Montenegrin literacy can be traced back to the middle of IX century, i.e. the Doclea\u2019s Period. At the beginning of this period, a number of Benedictine monasteries were founded in the coastal area. While traces of Latin and Greek literacy from this period are partially preserved, there are only indirect testimonies of literacy in Slavic languages. The assumption that Glagolitic literacy could have developed in Doclea under the influence of a strong center of Slavic literacy in Ohrid seems likely, although there is a view in science that the Slavic Literature of the Doclea\u2019s period was written in Latin alphabet. In this period, at the territory of the Skadar Lake, literary work is being developed. The center of literary activities was the monastery Pre\u010dista Krajinska, where representative literary work \u017divot zetskoga kneza Vladimira was created by anonymous Doclean author from Krajina. Another important work from this period was the chronicle Regnum Sclavorum, i.e. Kingdom of the Slavs by Pop Dukljanin. Neither of these works was kept from decay in their original form; only their Latin transcriptions from the XVII century were preserved. Judging by the numerous monasteries and scriptoria on the Doclea\u2019s former territory, as well as the high level of social development at the time when the Pope gave Duklja Royal National Recognition and an Archdiocese in Bar, it can be concluded that there was a high level of literacy at the time. This is also confirmed by the aforementioned Vladimir\u2019s Life, as a prominent work of fiction. However, no original written works from this period were preserved as they, most probably, could not have survived the next period in the history of Montenegrin language \u2013 Zeta\u2019s Period.<\/p>\r\n                                            <span class=\"show-more text-bold color-white\">Pro\u0161iri tekst<\/span>\r\n                                    <\/div>\r\n                <!-- \/.text-wrapper -->\r\n                                <\/div>\r\n        <!-- \/.clipped-img-right-full-content -->\r\n    <\/div>\r\n    <!-- \/.main-wrapper -->\r\n                    <img decoding=\"async\" src=\"https:\/\/fcjk.me\/wp-content\/uploads\/2024\/01\/Popa-Dukljanina-Sclavorum-Regnum.webp\" alt=\"\" class=\"img-center clipped-img-right-full-img\">\r\n            <!-- \/.clipped-img-right-full-img -->\r\n        <\/section>\r\n<!-- \/.clipped-img-right-full -->\n\n    <div class=\"fcjk-padding-medium\"><\/div>\r\n\n\n<section class=\"fcjk-quote\">\r\n    <div class=\"main-wrapper\">\r\n        <div class=\"fcjk-quote-wrapper\">\r\n\r\n            \r\n                        <div\r\n                class=\"fcjk-quote-wrapper-intro\">\r\n                <p>Zeta\u2019s Period in the history of Montenegrin language starts with a fall of Doclea\/Zeta under Ra\u0161ka\u2019s\/Serbian rule, and it encompasses the rule of Bal\u0161i\u0107i and Crnojevi\u0107i dynasties. There is no consensus among researchers with regard to dating Glagolitic and Cyrillic alphabets in today\u2019s Montenegrin territory. Some authors believe that these two alphabets could not exist in the Doclea\u2019s Period as they were a reflection of Eastern-European ideology and culture, rivalled by, in their opinion, explicitly Western oriented Doclea. On the other hand, many scholars believe that Glagolitsa was used in the Doclea\u2019s Period of Montenegrin literacy, and there are also those who believe that the earliest works of Montenegrin literature were written in Cyrillic alphabet. However, on the basis of preserved manuscripts, it can be safely stated that Old Church Slavic language and Cyrillic alphabet were dominantly used in the Zeta\u2019s Period.<\/p>\n                            <\/div>\r\n            <!-- \/.fcjk-quote-wrapper-intro -->\r\n                                    <div\r\n                class=\"fcjk-quote-wrapper-quote\">\r\n                                <p class=\"quote\">\r\n                    In this period, Glagolitic alphabet will be completely displaced by Cyrillic. Its inglorious fate is vividly described by the fact that Cyrillic Ilovi\u010dka krm\u010dija (Ilovica Codex) was tied together with two Glagolitic pergaments serving as book covers.                <\/p>\r\n                <!-- \/.quote -->\r\n                                                <p>Those pergaments were in fact Mihanovi\u0107ev odlomak, which, in this manner, was preserved until today. In the XV century, in Orthodox churches on the islands and shores of Skadar Lake, many priests were working on rewriting and illuminating church books. Therefore, appearance of the Montenegrin printing house can be viewed as a natural consequence of this widespread scribal literary activity.<\/p>\n                                            <\/div>\r\n            <!-- \/.fcjk-quote-wrapper-quote -->\r\n            \r\n                        <div\r\n                class=\"fcjk-quote-wrapper-otro\">\r\n                <p>The printing house, established by \u0110ura\u0111 Crnojevi\u0107, was most probably originally kept in Obod, while its operation began in Cetinje. Five incunabula were printed in this printing house: Oktoih prvoglasnik (Oktoih, the first voice), Oktoih petoglasnik (Oktoih, the fifth voice), Psaltir s posljedovanjem (Book of Psalms with Possession), Trebnik and \u010cetvorojevan\u0111elje (The Fourth Gospel). Only four Slavic peoples have incunabula in their own language or in Old Church Slavic language with their own redaction and those are Czechs, Croats, Ukrainians and Montenegrins. In the Zeta\u2019s Period, Zeta (Montenegrin) redaction of the Old Church Slavic language is developed. The most significant representative of Montenegrin\/Zeta\u2019s Cyrillic redaction and a period\u2019s representative work is Miroslavljevo jevan\u0111elje (Miroslav\u2019s Gospel), created in Kotor in the eighties of the XII century, written by two authors \u2013 Ze\u0107anin Varsameleon, who wrote the major part of the work, and Ra\u0161anin Gligorije, writer of the last two pages. Montenegrin\/Zeta\u2019s redaction is defined as a type of Old Church Slavic language adapted, in terms of articulation, to the local language of writers from medieval Zeta. This redaction was most probably created in Stefan Nemanja\u2019s office in Kotor, and it marked the Zeta\u2019s Period of Montenegrin literacy and literature, although there are authors dating it even further in the past. Both, Bosnian and Serbian redactions of the Old Church Slavic language developed from it. Zeta\u2019s\/Montenegrin redaction was often, without any foundation, treated as zetsko-humska (Zeta\u2019s-Hum\u2019s), although it is known for a fact that it was created in Zeta from where it spread across the Hum.<\/p>\n                            <\/div>\r\n            <!-- \/.fcjk-quote-wrapper-otro -->\r\n                    <\/div>\r\n        <!-- \/.fcjk-quote-wrapper -->\r\n    <\/div>\r\n    <!-- \/.main-wrapper -->\r\n<\/section>\r\n<!-- \/.fcjk-quote -->\n\n    <div class=\"fcjk-padding-medium\"><\/div>\r\n\n\n<section class=\"fcjk-left-image-gradient reverse\">\r\n    <div class=\"main-wrapper\">\r\n        <div class=\"fcjk-left-image-gradient-wrapper\">\r\n            <div class=\"overlay-charcoal\"><\/div>\r\n            \r\n            <div class=\"fcjk-left-image-gradient-wrapper-text\">\r\n                                \r\n                                    <div class=\"text-wrapper\">\r\n                        <p class=\"color-white\">Written Language Period encompasses the time from the end of XV century to the mid XVIII century. Written language here refers to the written realization of the local spoken language. In the new socio-historical circumstances, Montenegrin language with the national basis is gradually reused in Montenegro. However, Old Church Slavic language will still be used in the Orthodox Church for a long time. In this stage, as a consequence of Zeta\u2019s Period, books in Old Church Slavic language and Cyrillic alphabet are dominant. However, in Boka, Zeta\u2019s\/Montenegrin type of the Old Church Slavic language did not leave significant traces in the period\u2019s literature. In Boka, Latin and Italian had primacy, especially in the period of Humanism and Renaissance, while the Baroque era was marked by the increasing use of the people\u2019s language in the literature. Unlike the described linguistic situation characteristic for ecclesiastical use, already in the previous epoch, the people\u2019s language started to again make its way into literacy in the domain of secular use. Numerous epigraphs, notes, charters, wills, etc, testify to the use of people\u2019s language with elements of Church Slavic literacy. This is also confirmed by vranjinske povelje (Vranjina Charters), created by Zeta\u2019s\/Montenegrin writers in the times of Nemanji\u0107i, Bal\u0161i\u0107i and Crnojevi\u0107i. Written language in the secular use will continue to follow the development of Montenegrin spoken language, and as the time passed by \u2013 the literary language was becoming increasingly free of Church Slavic elements. Spontaneous homogenization of Montenegrin people\u2019s and literary language was particularly affected by thoroughly developed oral literature and the cult of words. Two most important writers in the Written Language Period appeared in its late stage, the Baroque period. They are Andrija Zmajevi\u0107 in the coastal area (Boka Kotorska) and Danilo Petrovi\u0107 Njego\u0161 in the continental part (Cetinje). Both of them wrote in Montenegrin people\u2019s language.<\/p>\r\n                                            <\/div>\r\n                    <!-- \/.text-wrapper -->\r\n                            <\/div>\r\n            <!-- \/.fcjk-left-image-gradient-wrapper-text -->\r\n            <div class=\"fcjk-left-image-gradient-wrapper-img\">\r\n                <div class=\"overlay-gradient-charcoal-left\"><\/div>\r\n                                    <img decoding=\"async\" src=\"https:\/\/fcjk.me\/wp-content\/uploads\/2024\/01\/12969276_10207914807286991_228574883_n.webp\" alt=\"\" class=\"img-center\">\r\n                            <\/div>\r\n            <!-- \/.fcjk-left-image-gradient-wrapper-img -->\r\n        <\/div>\r\n    <\/div>\r\n    <!-- \/.main-wrapper -->\r\n<\/section>\r\n<!-- \/.fcjk-left-image-gradient -->\r\n\n\n    <div class=\"fcjk-padding-medium\"><\/div>\r\n\n\n<section class=\"fcjk-text-columns\">\r\n    <div class=\"main-wrapper\">\r\n                <div class=\"fcjk-text-columns-wrapper\">\r\n                                <p>Since the second half of the XVIII century, primarily through strengthening of the state and church organization, prerequisites were created for establishing uncodified Montenegrin literary language as a medium of common communication in the whole area under jurisdiction of the state and the church, as well as in the Montenegrin coastal area. Thus, the written language spontaneously transformed into uncodified literary (standard) language. This process made the development of Montenegrin language specific, as the basis for its foundation was the naturally formed koine layer, previously established in the language of oral literature. It was already at that time that people\u2019s and literary language were almost completely homogenized, so Montenegrin writers wrote in accordance with the speech norms.<\/p>\n                                            <p>Before Vuk Stefanovi\u0107 Karad\u017ei\u0107 was even born, Ivan-Antun Nenadi\u0107 (1768) from Perast advocated for the phonetic spelling principle that it can be written as it is spoken and that it should be spoken the way it is written. This rule was implemented very early in the language of the Montenegrin literature. It is therefore no surprise that principles of the Vuk Karad\u017ei\u0107\u2019s linguistic reform were accepted without any problems later. Even back then, in the period of uncodified Montenegrin literary language, three styles could be noticed: fictional, business and scientific. They were all formed in the process of spontaneous Montenegrin language standardization. Montenegrin literature was, in terms of its content and linguistically, flowing from the people\u2019s life. In the period in question, the greatest achievement of such a literary language was achieved in Poslanice Svetoga Petra Cetinjskog (Epistles of St. Peter of Cetinje).<\/p>\n                                <\/div>\r\n        <!-- \/.fcjk-text-columns-wrapper -->        \r\n    <\/div>\r\n    <!-- \/.main-wrapper -->\r\n<\/section>\r\n<!-- \/.fcjk-text-columns -->\n\n    <div class=\"fcjk-padding-medium\"><\/div>\r\n\n\n<section class=\"fcjk-img-middle\">\r\n    <div class=\"main-wrapper\">\r\n        <div class=\"fcjk-img-middle-wrapper\">\r\n                        <div class=\"fcjk-img-middle-wrapper-img\">\r\n                <div class=\"img-wrapper\" data-aos=\"fade-up\" data-aos-easing=\"linear\" data-aos-duration=\"1200\">\r\n                    <img decoding=\"async\" src=\"https:\/\/fcjk.me\/wp-content\/uploads\/2024\/01\/Vuk.webp\" alt=\"\" class=\"img-center\">\r\n                <\/div>\r\n                <!-- \/.img-wrapper -->\r\n            <\/div>\r\n                        <!-- \/.fcjk-img-middle-wrapper-img -->\r\n            <section class=\"fcjk-quote\">\r\n                <div class=\"fcjk-quote-wrapper\">\r\n                                        <div\r\n                        class=\"fcjk-quote-wrapper-text\">\r\n                        <p>As a consequence of Vuk Karad\u017ei\u0107\u2019s linguistic reform, in the Montenegrin language of the Transitional Period (from the thirties of the XIX century to the World War I), significant changes occurred, as well as the official termination of some typically Montenegrin linguistic features. Throughout this entire period, the language in Montenegro was officially called Serbian, and adaptation of the Montenegrin language to the general \u0160tokavian Karad\u017ei\u0107\u2019s model was mainly carried out through textbooks and external teaching personnel who wholeheartedly followed principles of Vuk Karad\u017ei\u0107\u2019s linguistic reform. As Vuk\u2019s principle of introducing the people\u2019s language into literature had no opponents in Montenegro (because in Montenegro this principle existed even before Vuk), his linguistic reform also had no major opponents. However, not all the principles of the reform were accepted smoothly, so disagreements arose among Montenegrin cultural workers because the Karad\u017ei\u0107\u2019s linguistic model was intended for an area of which Montenegro was only a minor part, so some Montenegrin linguistic features were dropped out in the course of time. The main cause of disagreements was the sacrifice of these linguistic features which, in Montenegrin literacy and literature, had an extensive, centuries-long tradition. Long debates were especially marked by views of Jovan Pavlovi\u0107 (Vuk\u2019s consistent follower), those of Lazar Tomanovi\u0107 who, among other things, advocated for introduction of graphemes \u015b and \u017a, and those of \u0110uro \u0160padijer who, in his Serbian Grammar (intended for third and fourth grade of elementary schools in Montenegro), introduced some features which the Vuk\u2019s model listed as dialect words and provincialisms, and Mirko Miju\u0161kovi\u0107, a graduate from the Belgrade Higher School (Velika \u0161kola u Beogradu).<\/p>\n                                            <\/div>\r\n                    <!-- \/.fcjk-quote-wrapper-text -->\r\n                                                        <\/div>\r\n                <!-- \/.fcjk-quote-wrapper -->\r\n            <\/section>\r\n            <!-- \/.fcjk-quote -->\r\n        <\/div>\r\n        <!-- \/.fcjk-img-middle-wrapper -->\r\n    <\/div>\r\n    <!-- \/.main-wrapper -->\r\n<\/section>\r\n<!-- \/.fcjk-img-middle -->\n\n    <div class=\"fcjk-padding-medium\"><\/div>\r\n\n\n<section class=\"fcjk-highlighted-text\">\r\n    <div class=\"main-wrapper\">\r\n        <div class=\"fcjk-highlighted-text-wrapper\">\r\n           <div class=\"fcjk-highlighted-text-wrapper-text\">\r\n                <div class=\"text-wrapper\">\r\n                                            <p>However, in Montenegro, continued implementation of Karad\u017ei\u0107\u2019s linguistic reform started since the school year 1863\/64, in Cetinje\u2019s \u201cSmall School\u201d, in the Orli\u0107 almanac since 1865, and in writings of the Montenegrin Senate and public administration since 1868. This was the beginning of a systematic process of adaptation of typical Montenegrin linguistic features in official (written) communication, because all features not included in Karad\u017ei\u0107-Dani\u010di\u0107\u2019s linguistic model were thrown out of official use (defined as dialect words and provincialisms). This reform will, by the end of XIX century, ensure its final victory in Montenegro, especially in administrative, publicistic, and scientific style. Fictional style resisted to this process the longest and it mainly stayed outside the reach of the mentioned reform, managing to preserve basic Montenegrin linguistic features and pass them on to the XX century. Works of the three most representative authors from this period - Petar II Petrovi\u0107 Njego\u0161, Stefan Mitrov Ljubi\u0161a and Marko Miljanov Popovi\u0107 testify to this preservation of Montenegrin literary language in the fictional style.<\/p>\n                                                        <\/div>\r\n           <\/div>\r\n           <!-- \/.fcjk-highlighted-text-wrapper-text --> \r\n\r\n           <div class=\"fcjk-highlighted-text-wrapper-img\">\r\n               <div class=\"img-wrapper\" data-aos=\"fade-right\" data-aos-easing=\"linear\" data-aos-duration=\"1200\">\r\n                                            <img decoding=\"async\" src=\"https:\/\/fcjk.me\/wp-content\/uploads\/2024\/01\/Petar_II_Petrovic-Njegos.webp\" alt=\"\" class=\"img-center\">\r\n                                    <\/div>\r\n           <\/div>\r\n           <!-- \/.fcjk-highlighted-text-wrapper-img --> \r\n\r\n           <div class=\"fcjk-highlighted-text-wrapper-highlight\">\r\n               <div class=\"highlight-wrapper\">\r\n                                            <p class=\"text-highlight\">The processes initiated in the Transitional Period were finalized in the following, Vuk\u2019s Period, which will mark the XX century and carry on to the new millennium. This period is divided into two stages: Beli\u0107\u2019s and Modern.<\/p>\r\n                                    <\/div>\r\n           <\/div>\r\n           <!-- \/.fcjk-highlighted-text-wrapper-highlight --> \r\n\r\n        <\/div>\r\n        <!-- \/.fcjk-highlighted-text-wrapper -->\r\n    <\/div>\r\n    <!-- \/.main-wrapper -->\r\n<\/section>\r\n<!-- \/.fcjk-highlighted-text -->\n\n    <div class=\"fcjk-padding-medium\"><\/div>\r\n\n\n<section class=\"fcjk-left-image-gradient reverse\">\r\n    <div class=\"main-wrapper\">\r\n        <div class=\"fcjk-left-image-gradient-wrapper\">\r\n            <div class=\"overlay-charcoal\"><\/div>\r\n            \r\n            <div class=\"fcjk-left-image-gradient-wrapper-text\">\r\n                                \r\n                                    <div class=\"text-wrapper\">\r\n                        <p class=\"color-white\">Montenegrin literary language has undergone the largest changes in the stage marked by work of the Serbian linguist Aleksandar Beli\u0107, that is, between the two World Wars. Montenegrin specific linguistic features were preserved in the fictional style during the two first decades of the XX century; however, after that, in the new socio-historical circumstances, fictional style was merged, just as the administrative, publicistic, and scientific styles, into the common \u201cSerbian\/Serbo-Croatian\u201d language template. Although Beli\u0107\u2019s Orthography from 1923 formally permitted ijekavisms, the author stressed, in this and in subsequent editions, that jekavian iotation was a dialectical feature, so Montenegrins were obliged to use the non-iotized atypical forms such as djed, cjedilo, tjerati, sjesti, etc. In subsequent editions, Beli\u0107 abolished the formal recognition of longer suffixes in the declination of pronouns and adjectives -ijem, -ijeh, and, instead, codified only short suffixes. Thus, Vuk\u2019s supporters will be the first ones to abandon Vuk\u2019s language model. But, despite formal recognition of ijekavisms in the literary language, the period between the World Wars in Montenegro will be marked by increasing use of ekavisms. Ekavisms were mainly introduced through the education system, as the majority of textbooks and teaching personnel were using them. This is vividly testified by the articles in the contemporary Montenegrin papers. The main determinant of the Beli\u0107\u2019s Stage was the removal of differences between the Montenegrin and Serbian language, and immersion of Montenegrin into Serbian.<\/p>\r\n                                            <\/div>\r\n                    <!-- \/.text-wrapper -->\r\n                            <\/div>\r\n            <!-- \/.fcjk-left-image-gradient-wrapper-text -->\r\n            <div class=\"fcjk-left-image-gradient-wrapper-img\">\r\n                <div class=\"overlay-gradient-charcoal-left\"><\/div>\r\n                                    <img decoding=\"async\" src=\"https:\/\/fcjk.me\/wp-content\/uploads\/2024\/01\/9352f0064b1b4b4ddf672b93ec2851b2.webp\" alt=\"\" class=\"img-center\">\r\n                            <\/div>\r\n            <!-- \/.fcjk-left-image-gradient-wrapper-img -->\r\n        <\/div>\r\n    <\/div>\r\n    <!-- \/.main-wrapper -->\r\n<\/section>\r\n<!-- \/.fcjk-left-image-gradient -->\r\n\n\n    <div class=\"fcjk-padding-medium\"><\/div>\r\n\n\n<section class=\"fcjk-highlighted-text-full\">\r\n    <div class=\"main-wrapper\">\r\n        <div class=\"fcjk-highlighted-text-full-wrapper\">\r\n           <div class=\"fcjk-highlighted-text-full-wrapper-text\">\r\n                <div class=\"text-wrapper\">\r\n                                            <p>Modern Stage in the development of Montenegrin literary language began after World War II, when the language status improved together with the state position. However, at this time, Montenegro was still not granted the right to call its language by its own name. The official language was Serbo-Croatian, i.e Serbian as of 1992, but at least the status of ijekavisms was constitutionally guaranteed. Montenegro and Montenegrins will, once again, be left out of the language standardization process, so in the Conclusions of the Novi Sad Agreement (Novosadski dogovor) it was emphasized that the common literary language was developed around two main centers - Beograd and Zagreb, and that a group of Serbian and Croatian experts would jointly prepare the draft orthography. This orthography also included no typical Montenegrin macro-structural features. Although the official language policy backed these conclusions, management of the Association of Writers of Montenegro renounced the ill treatment of the Montenegrin language in the Serbo-Croatian Language Orthography. In 1968, a group of cultural workers appeared in Montenegro, advocating a new approach to fundamental Montenegrin values confirming the existence of separate Montenegrin people, nation, language and state.<\/p>\n                                    <\/div>\r\n           <\/div>\r\n           <!-- \/.fcjk-highlighted-text-full-wrapper-text --> \r\n\r\n           <div class=\"fcjk-highlighted-text-full-wrapper-img\">\r\n               <div class=\"img-wrapper\">\r\n                                            <img decoding=\"async\" src=\"https:\/\/fcjk.me\/wp-content\/uploads\/2024\/01\/Group.svg\" alt=\"\" class=\"img-center\">\r\n                                    <\/div>\r\n           <\/div>\r\n           <!-- \/.fcjk-highlighted-text-full-wrapper-img --> \r\n\r\n           <div class=\"fcjk-highlighted-text-full-wrapper-highlight\">\r\n               <div class=\"highlight-wrapper\">\r\n                                            <p class=\"text-highlight\">thanks to the efforts of this generation of Montenegrin cultural workers that a number of institutions working on protection of fundamental Montenegrin values were formed in Montenegro after the break-up of the Socialist Federal Republic of Yugoslavia. We should, first of all, mention the Montenegrin PEN Center, Matica crnogorska, Doclean Academy of Sciences and Arts, Institute for Montenegrin Language and Linguistics, and the Montenegrin Association of Independent Writers. <\/p>\r\n                                    <\/div>\r\n           <\/div>\r\n           <!-- \/.fcjk-highlighted-text-full-wrapper-highlight --> \r\n\r\n        <\/div>\r\n        <!-- \/.fcjk-highlighted-text-full-wrapper -->\r\n    <\/div>\r\n    <!-- \/.main-wrapper -->\r\n<\/section>\r\n<!-- \/.fcjk-highlighted-text-full -->\n\n    <div class=\"fcjk-padding-medium\"><\/div>\r\n\n\n<section class=\"clipped-img-right\">\r\n    <div class=\"main-wrapper\">\r\n        <div class=\"clipped-img-right-wrapper\">\r\n            <div class=\"clipped-img-right-wrapper-img\">\r\n                                <div class=\"img-wrapper clip-img-left\">\r\n                    <img decoding=\"async\" src=\"https:\/\/fcjk.me\/wp-content\/uploads\/2024\/01\/pile-old-books-literature-concept-scaled.webp\" alt=\"\" class=\"img-center\">\r\n                <\/div>\r\n                            <\/div>\r\n            <!-- \/.clipped-img-right-wrapper-img -->\r\n\r\n            <div class=\"clipped-img-right-wrapper-content\">\r\n                                                <div class=\"text-wrapper\">\r\n                                                            <p>Very important role was played at that time by the Montenegrin PEN Center\u2019s Declaration on the Constitutional Status of the Montenegrin Language, appearance of which provoked the last attempt of some unificatory linguistics representatives to introduce ekavian dialect in this traditionally ijekavian area. That attempt failed as it was condemned by most linguists, some of which belonged to that very unificatory linguistics, denying the existence of Montenegrin language. Still, in the last twenty years, attempts and efforts were made by some linguists to codify certain ekavisms in the Montenegrin standard language \u2013 although there is no scientific foundation for such attempts as they only reflected the unitarianist language policy and an import from ekavian areas.<\/p>\n                                    <\/div>\r\n                <!-- \/.text-wrapper -->\r\n                                            <\/div>\r\n            <!-- \/.clipped-img-right-wrapper-content -->\r\n\r\n        <\/div>\r\n        <!-- \/.clipped-img-right-wrapper -->\r\n    <\/div>\r\n    <!-- \/.main-wrapper -->\r\n<\/section>\r\n<!-- \/.clipped-img-right -->\n\n    <div class=\"fcjk-padding-medium\"><\/div>\r\n\n\n<section class=\"clipped-img-right-full   bg-red\">\r\n    <div class=\"main-wrapper\">\r\n        <div class=\"clipped-img-right-full-content\">\r\n                                                    <div class=\"text-wrapper\">\r\n                    <p class=\"color-white\">Such attempts were justified by the so-called spontaneous language development and the need to simplify groups \u201cdifficult to pronounce\u201d (for example, rje\u010dnik &gt; re\u010dnik; sljede\u0107i &gt; slede\u0107i; prijelaz &gt; prelaz, etc). In the last decade of the XX century, as a result of the long-time study of the Montenegrin language, abovementioned institutions published the textbooks necessary to study this language. These are: orthographic manual Write as You Speak (Montenegrin Association of Independent Writers, Podgorica, 1993), two-volume history of the Montenegrin language \u2013 Montenegrin Language (Matica crnogorska, Cetinje, 1993 &amp; 1997), Orthography of the Montenegrin Language (Montenegrin PEN Center, Cetinje, 1997) and the Grammar of the Montenegrin Language (Doclean Academy of Sciences and Arts, Podgorica, 2001). Through these books, science of the Montenegrin language \u2013 Montenegristics, was founded. Their author was Vojislav P. Nik\u010devi\u0107, and on the basis of these books, Montenegrin language became a subject of study in many Slavic departments. Finally, the struggle for the affirmation of the Montenegrin language was crowned with success by the new Montenegrin Constitution (2007), in which Montenegrin acquired the official language status for the first time. Already in 2008, the Government of Montenegro established the Council for the Standardization of the Montenegrin Language, with a view to preparing the orthography, grammar, and the dictionary of the Montenegrin language. However, the Council failed to fulfil this mission, as a group of its members, burdened by traditionalist linguistic views, could not accept the codification of typical Montenegrin linguistic features. After eighteen months of unsuccessful work, the Council was abolished and the Expert Commission for the Standardization of the Montenegrin Language was formed (Milenko A. Perovi\u0107, Josip Sili\u0107 and Ljudmila Vasiljeva). This Commission started the work on editing the draft version of the Orthography of the Montenegrin Language, written by Adnan \u010cirgi\u0107, after which the Orthography was adopted (2009). The Commission then appointed linguists to prepare the Grammar of the Montenegrin Language \u2013 Adnan \u010cirgi\u0107, Ivo Pranjkovi\u0107 and Josip Sili\u0107, in cooperation with Jelena \u0160u\u0161anj. The Editorial Board was also established (Milenko Perovi\u0107, Josip Sili\u0107, Ljudmila Vasiljeva, Adnan \u010cirgi\u0107 and Jelena \u0160u\u0161anj), and it prepared the second, revised edition of the Orthography of the Montenegrin Language. Thus, in 2010, Montenegro got its official orthography and grammar of the Montenegrin language.<\/p>\r\n                                    <\/div>\r\n                <!-- \/.text-wrapper -->\r\n                                <\/div>\r\n        <!-- \/.clipped-img-right-full-content -->\r\n    <\/div>\r\n    <!-- \/.main-wrapper -->\r\n                    <img decoding=\"async\" src=\"https:\/\/fcjk.me\/wp-content\/uploads\/2024\/03\/Vojislav-P.-Nikcevic3-scaled.jpg\" alt=\"\" class=\"img-center clipped-img-right-full-img\">\r\n            <!-- \/.clipped-img-right-full-img -->\r\n        <\/section>\r\n<!-- \/.clipped-img-right-full -->\n\n    <div class=\"fcjk-padding-medium\"><\/div>\r\n\n\n<section class=\"fcjk-text-columns\">\r\n    <div class=\"main-wrapper\">\r\n                    <h2 class=\"fcjk-text-columns-title text-align-left\">\r\n                                    <span class=\"color-red\">Montenegrin <\/span>\r\n                    speeches            <\/h2>\r\n                <div class=\"fcjk-text-columns-wrapper\">\r\n                                <p>Montenegrin speeches are among the best-studied speeches in the Slavic world. Very few parts of Montenegro were not researched in terms of their dialectological features. However, the synthesis of Montenegrin speeches, Montenegrin Dialectology, was still not written.\nMontenegrin speeches are (i)jekavian \u0160tokavian speeches. Until recently, there were also two ikavian-jekavian speech groups: Muslims in Podgorica and Gusinje. However, today, ikavisms are only preserved in the speech of the oldest speech representatives and in the speech of Podgorica emigrants in Skadar. In the speeches alongside the Serbian linguistic border, primarily in the Montenegrin part of Sand\u017eak, the replacement of yat is ijekavian-ekavian (although there are significant deviations), certainly a product of Serbian linguistic influence.<\/p>\n                                            <p>These speeches were mainly studied within the framework of traditional Serbian\/Serbo-Croatian studies. This is the main reason why many scholars tried to prove the existence of two strongly polarized dialects encompassing Montenegrin area (not matching the Montenegrin state borders). For the north-western Montenegrin speeches, a term East-Herzegovina\u2019s dialect (isto\u010dnohercegova\u010dki dijalekat) was adopted, while the remaining part of the speech was named differently: East-Montenegrin dialect (isto\u010dnocrnogorski dijalekat), Zeta-Lov\u0107en\u2019s dialect (zetsko-lov\u0107enski dijalekat), Zeta-Sjenica\u2019s dialect (zetsko-sjeni\u010dki dijalekat), Zeta-South Sand\u017eak\u2019s dialect (zetsko-ju\u017enosand\u017ea\u010dki dijalekat), Zeta-Upper Polimlje\u2019s dialect (zetsko-gornjopolimski dijalekat), etc. In addition, there were linguists trying to prove the syntagm Montenegrin speeches untenable, because in the Montenegrin territory there were \u201cno\u201d phenomena which could not be found in other areas of \u201cSerbo-Croatian\u201d language, i.e. \u0160tokavian dialect.<\/p>\n                                <\/div>\r\n        <!-- \/.fcjk-text-columns-wrapper -->        \r\n    <\/div>\r\n    <!-- \/.main-wrapper -->\r\n<\/section>\r\n<!-- \/.fcjk-text-columns -->\n\n    <div class=\"fcjk-padding-medium\"><\/div>\r\n\n\n<section class=\"fcjk-image-left\">\r\n    <div class=\"main-wrapper\">\r\n    <div class=\"fcjk-image-left-wrapper\">\r\n        <div class=\"fcjk-image-left-wrapper-img\">\r\n                            <div class=\"img-wrapper\" data-aos=\"fade-right\"  data-aos-easing=\"linear\" data-aos-duration=\"1200\">\r\n                    <img decoding=\"async\" src=\"https:\/\/fcjk.me\/wp-content\/uploads\/2024\/01\/old-fashioned-flat-lay-with-stack-antique-leather-bound-books-against-dark-wall-literature-reading-education-concept-retro-vintage-style-copyspace-your-ad-antique-archive-1.webp\" alt=\"\" class=\"img-center\">\r\n                <\/div>\r\n                <!-- \/.img-wrapper -->\r\n                    <\/div>\r\n        <!-- \/.fcjk-image-left-wrapper-img -->\r\n\r\n        <div class=\"fcjk-image-left-wrapper-text\">\r\n                            <div class=\"text-wrapper\">\r\n                                        <p>If we can talk about diversity and dispersiveness of Montenegrin speeches, i.e. their strict polarization, than this accentuation is theirs. Accent, better than any other linguistic layer, can determine Montenegrin speech representatives\u2019 belonging to a specific local speech. No other linguistic layer or feature can be a reliable determinant in this regard as many local speeches are extremely similar or equivalent in terms of all other features. Montenegrin speeches include two-accentual, three-accentual and four-accentual systems. Three-accentual system is represented in Lepetane, Ozrini\u0107i with Bro\u0107anac and Gusinje; four-accentual system in north-western Montenegrin speeches, Bjelopavli\u0107i, Donji Pje\u0161ivci, Vasojevi\u0107i and the Montenegrin part of Sand\u017eak; and the two-accentual system in all other speeches. However, the same accentual types differ between certain speeches.<\/p>\r\n                                    <\/div>\r\n                <!-- \/.text-wrapper -->\r\n                        \r\n        <\/div>\r\n        <!-- \/.fcjk-image-left-wrapper-text -->\r\n    <\/div>\r\n    <!-- \/.fcjk-image-left-wrapper -->\r\n    <\/div>\r\n    <!-- \/.main-wrapper -->\r\n<\/section>\r\n<!-- \/.fcjk-image-left -->\n\n    <div class=\"fcjk-padding-medium\"><\/div>\r\n\n\n<section class=\"fcjk-quote\">\r\n    <div class=\"main-wrapper\">\r\n        <div class=\"fcjk-quote-wrapper\">\r\n\r\n            \r\n                        <div\r\n                class=\"fcjk-quote-wrapper-intro\">\r\n                <p>Past criteria for dividing Montenegrin speeches (yat replacement and accentuation) did not confirm the scientific foundation of the division of the Montenegrin speeches into two separate dialects. Accentuation failed to confirm it because of the already mentioned accentual discrepancies between Montenegrin speeches. Yat replacement did not confirm it because Montenegrin speeches (excluding exceptional cases) are (i)jekavian. At the same time, even accentually remote speeches are very similar, almost identical, in terms of other linguistic features \u2013 phonological, morphonological, morphological, syntactic and lexical. Therefore, Montenegrin speeches should be viewed as a whole in which three speech groups are prominent: south-eastern, north-western, and the speech group of the Montenegrin part of Sand\u017eak. Within the south-eastern speech group, speech characteristics of certain tribes are a bit more explicit, so we can talk about five speech branches:<\/p>\n                            <\/div>\r\n            <!-- \/.fcjk-quote-wrapper-intro -->\r\n                        \r\n                    <\/div>\r\n        <!-- \/.fcjk-quote-wrapper -->\r\n    <\/div>\r\n    <!-- \/.main-wrapper -->\r\n<\/section>\r\n<!-- \/.fcjk-quote -->\n\n    <div class=\"fcjk-padding-small\"><\/div>\r\n\n\n<section class=\"fcjk-ordered-list\">\r\n    <div class=\"main-wrapper\">\r\n        <div class=\"fcjk-ordered-list-wrapper\">\r\n                            <ol class=\"list\">\r\n                                                <li class=\"list-item bg-white hover-move-up hover-shadow\">\r\n                                <span class =\"list-item-number\"><\/span>\r\n                                <div class=\"list-item-text\">\r\n                                    <span class=\"list-item-text-highlight color-red text-bold\">1. podlov\u0107enska<\/span>  (territory of the four provinces \u2013 Katunska, Lje\u0161anska, Rije\u010dka and Crmni\u010dka nahija, as well as the Montenegrin coast from Perast to Bar)                                <\/div>\r\n                            <\/li>\r\n                                                <li class=\"list-item bg-white hover-move-up hover-shadow\">\r\n                                <span class =\"list-item-number\"><\/span>\r\n                                <div class=\"list-item-text\">\r\n                                    <span class=\"list-item-text-highlight color-red text-bold\">barsko-mrkojevi\u0107ka<\/span>                                 <\/div>\r\n                            <\/li>\r\n                                                <li class=\"list-item bg-white hover-move-up hover-shadow\">\r\n                                <span class =\"list-item-number\"><\/span>\r\n                                <div class=\"list-item-text\">\r\n                                    <span class=\"list-item-text-highlight color-red text-bold\">ku\u010dko-pipersko-bratono\u017ei\u0107ka<\/span>                                 <\/div>\r\n                            <\/li>\r\n                                                <li class=\"list-item bg-white hover-move-up hover-shadow\">\r\n                                <span class =\"list-item-number\"><\/span>\r\n                                <div class=\"list-item-text\">\r\n                                    <span class=\"list-item-text-highlight color-red text-bold\">zetsko-podgori\u010dka<\/span>  (also including Tuzi with the surrounding area and the speech of Montenegrin emigrants in Vraka and Skadar)                                <\/div>\r\n                            <\/li>\r\n                                                <li class=\"list-item bg-white hover-move-up hover-shadow\">\r\n                                <span class =\"list-item-number\"><\/span>\r\n                                <div class=\"list-item-text\">\r\n                                    <span class=\"list-item-text-highlight color-red text-bold\">donjopje\u0161iva\u010dko-bjelopavli\u0107ko-vasojevi\u0107ka<\/span>                                 <\/div>\r\n                            <\/li>\r\n                                    <\/ol>\r\n                    <\/div>\r\n        <!-- \/.fcjk-ordered-list-wrapper -->\r\n    <\/div>\r\n    <!-- \/.main-wrapper -->\r\n<\/section>\r\n<!-- \/.fcjk-ordered-list -->\n\n    <div class=\"fcjk-padding-medium\"><\/div>\r\n\n\n<section class=\"clipped-img-right\">\r\n    <div class=\"main-wrapper\">\r\n        <div class=\"clipped-img-right-wrapper\">\r\n            <div class=\"clipped-img-right-wrapper-img\">\r\n                                <div class=\"img-wrapper clip-img-left\">\r\n                    <img decoding=\"async\" src=\"https:\/\/fcjk.me\/wp-content\/uploads\/2024\/01\/old-books-closeup-with-copyspace-background-literature-concept-1.webp\" alt=\"\" class=\"img-center\">\r\n                <\/div>\r\n                            <\/div>\r\n            <!-- \/.clipped-img-right-wrapper-img -->\r\n\r\n            <div class=\"clipped-img-right-wrapper-content\">\r\n                                                <div class=\"text-wrapper\">\r\n                                                            <p>More important than this classification is the fact that the number of specific features of certain speech branches is excessively smaller than the number of common features of the south-eastern group. Similarly, the number of specific features of the three speech groups (south-eastern, north-western, and the speech group of the Montenegrin part of Sand\u017eak) is much smaller than the number of their common, Montenegrin-wide language characteristics. Also, it is important to stress that the units from the above division of Montenegrin speeches should not, under any circumstances, be understood as separate dialects as they do not possess enough (macro or micro) specific features to obtain such a status.<\/p>\n                                    <\/div>\r\n                <!-- \/.text-wrapper -->\r\n                                            <\/div>\r\n            <!-- \/.clipped-img-right-wrapper-content -->\r\n\r\n        <\/div>\r\n        <!-- \/.clipped-img-right-wrapper -->\r\n    <\/div>\r\n    <!-- \/.main-wrapper -->\r\n<\/section>\r\n<!-- \/.clipped-img-right -->\n\n    <div class=\"fcjk-padding-large\"><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":2378,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"pages\/page.php","meta":{"inline_featured_image":false,"footnotes":""},"categories":[29],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.4 - 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